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Meridian

Meridian Group

Motion

2023

A fine dry flower stem on a low porous stone holder, an oak arch and translucent circle, warm taupe minimalist set
A single delicate reddish twig rising from a clear narrow vase, one translucent sphere on gray plaster shelf
Three original sculptural cream beeswax candles on rough dark stone slabs beside a small round brass mirror, warm taupe light
Macro of dry seed pods with fine dotted texture against pale gray background, botanical still life
A shallow wooden bowl of dried grasses and seed heads on weathered walnut, warm beige wall

A motion identity that turns one static mark into a working signal system.

Project Info

Client

Meridian Group

Year

2023

Discipline

Motion

Meridian Group had a static mark and a video output growing faster than anyone could art direct it. Four internal teams were animating the same logo four different ways, none of them wrong, none of them aware of the others. We were asked to turn the mark into a motion system, with rules for how it enters, exits and behaves under pressure.

Four dialects of the same mark

Meridian is a holding company with five operating businesses, and in 2023 it produced around 200 pieces of video: results films, recruitment reels, conference stings, product explainers. Every one opened with the mark. Every one opened differently.

A motion identity is not an animated logo. It is a set of decisions: timing curves, transition logic and behaviours that make every touchpoint feel like the same brand in movement. Meridian did not need a better opener. It needed a grammar that made 200 openers agree.

Timing before shape

The first decision was to settle the timing before touching the form. We fixed a duration scale of three values (160ms, 320ms and 640ms) plus a single easing curve, then tested whether the brand could be recognised by rhythm alone. A plain grey rectangle moving on Meridian’s timing was picked out of a line-up of five, by their own staff, nine times in ten. The signature lived in the cadence, so everything sitting on top of it could stay simple.

What we built and threw away was a particle build, the mark assembling out of a scatter of points. It cost forty minutes of render time per second of footage and vanished at the 24-pixel size a pre-roll bumper uses. The constraint that ended the argument came from Meridian’s own edit suite: every sting had to be made in house, on a laptop, in ten minutes, with no plugin the group had to license. So the system became four moves rather than one spectacle. Enter, hold, hand off, exit.

What shipped

A motion toolkit for After Effects and code: fourteen project files, a Lottie set for product and web, plus a naming convention so an editor can find the right sting without opening it. Twelve sting variations cover the formats Meridian genuinely makes, from six-second bumpers to conference title sequences.

Alongside them sit a twenty-page motion constitution, a recorded walkthrough and a one-page card taped above the edit desk, which is the document anyone actually reads. The brand team applies the guidelines without asking us.

A year on

In the twelve months after handover Meridian produced 210 pieces of video and commissioned no external motion work. Average turnaround on a standard sting fell from three days to under an hour. A motion identity is measured by what other people can make with it. If the studio has to be in the room, it is a performance rather than a system.

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Design Studio

Studio

Based

Berlin, DE

Since

2019

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Available for work

Taking on projects from March 2027.

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